Chester Brown is best known for his two recent non-fiction graphic novels, Louis Riel: A Comic-Strip Biography (2003) and Paying for It: A Comic-Strip Memoir About Being a John (2011). The former won widespread critical acclaim for its compelling, meticulously researched portrayal of Riel, the charismatic nineteenth century Métis leader, a crucial figure in Canadian history. The book won Harvey Awards for Best Writer and Best Graphic Album and was featured on Quill and Quire's list of the five best Canadian non-fiction books of the year and on The Globe and Mail's list of the 100 best books of the year.
Brown's next graphic novel, the controversial Paying for It, was also cited by The Globe and Mail as one of the best books of the year. An autobiographical recounting of Brown's experiences paying prostitutes for sex, it won both praise and condemnation. The book was endorsed by significant figures in the sex worker rights movement, including Tracy Quan, Annie Sprinkle, and Maggie McNeill, bolstering its standing as a polemic that addresses important issues regarding sex work.
Brown was born in Montreal, Canada, on May 16, 1960, and grew up in the nearby suburb of Chateauguay. At nineteen he moved to Toronto where, in 1983, he began self-publishing his work in photocopied mini-comics under the title Yummy Fur. Those pamphlets attracted the attention of comic book publishers and, in 1986, he began began writing and drawing for the Toronto based Vortex Comics. The first Vortex issue of Yummy Fur sold well and Brown quit his day job and began working full time as a cartoonist. In the pages of Yummy Fur he serialized a bleaky humorous story called Ed the Happy Clown, which was published as a graphic novel in 1989. It went on to become a cult classic and established his reputation as a prominent creator.
In 1991, Chris Oliveros' new comic book company Drawn & Quarterly signed Brown to a contract. His The Playboy was released the next year and was the first graphic novel Drawn & Quarterly published. That was followed by I Never Liked You (1994), an elegant, widely respected memoir about his adolescence. Four years later, his shorter pieces were collected in The Little Man: Short Strips, 1980 - 1995, which demonstrates his range as a storyteller. It moves from his early surrealism to his later autobiographical work.